Criminal Images Serving Neurotic Minds Imposing Rectangular Views of Incrimination on Decent Beings. : "WHAT'S THE MATTER WITH THE ARTIST?" Yeah you might have asked yourself this particular question upfront. Well, you will have heard of the NSA's" and GCHQ's" global surveillance hype right?! Counterinsurgency has introduced a new quality of Computational Linguistics in operating terms and conditions of socalled Sentiment Analysis on Concept and Data Mining, Document Classification and Clustering etc. Governmental officials, business people and their respective vicarious agents face exposure to a viral kind of "cyber madness" as they screen and scan the world(-wide-web) 24/7/365: Whatever common people do and especially whatever they say, could either harm "global security", "global business" or both. Even harmless words and symbols could signify "evil-minded cells and forces". As a linguist, I thought of fleshing out this ridicule of interpreting whatsoever into whatsoever. All illustrations (category: "rectangular views") are made of lines forming basic geometrical images, i.e. triangles and squares. Varying angles would deliver even more rhombic and trapezoid shapes. Now, the aforementioned institutionalised mad-genders of cyber-monitoring perform like a moral institution conducting social engineering in reverse. They simply assemble the bits of our everyday communication as they like and.: "There we go. 'FISH'. might be a new pack of scoundrels.j*rks. f*ck". Please don't mind laughing out loud, but keep your feet on the ground.

BIRTH; SCHOOL; STUDIES; WORK; LIFE; HOPE ... "There are these two young fish swimming along, and they happen to meet an older fish swimming the other way, who nods at them and says, 'Morning, boys, how's the water?' And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes, 'What the hell is water?' (David Foster Wallace, This is Water)